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Where is Starkweather Made?

It's a question that we ask ourselves about many things these days: Where does it come from? Who actually makes this? Where is it really made? 

The label inside of Starkweather's garments, reading "Made in Romania" speak the truth, but can't show you the whole picture. So we wanted to give you an inside look behind the scenes at our amazing manufacturer's facility in Bucharest.

In the garment manufacturing business since the 70s, and working with some of the great design houses across France, the UK and the rest of Europe, they have a tactile savoir-faire from the pre-digital era. 

The lovely head of Studio

The lovely head of Studio

One of the most painstaking points of the production process: matching plaid at the seams

One of the most painstaking points of the production process: matching plaid at the seams

And they've continuously adapted to the new technologies available to make efficient use of their resources and time, and to streamline the prototyping, sampling and production processes. 

A quick click through the gallery above and you'll see the digitization process plus the cutting optimization process. We aim to produce as little waste as possible!

And finally, some shots of the lovely seamstresses sewing away and pressing the garments to perfection. 

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Starkweather Style Recommendations

Starkweather is starting a new initiative to curate and suggest fashion items that accompany your selection from the Starkweather outerwear collection and in line with the Starkweather ethos. 

To launch this move, we've chosen to work with the Polyvore platform while developing our own in-site platform. 

We'd love to hear your feedback, suggestions and questions about which pieces to wear with what and how to style everything from your Startkweather crux to Starkweather liner. 

Here's our first flirtation in search of great summer shoes! 

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Fashion=SustainableFashion=Fashion Tech=Fashion

“Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.”

Fashion is a polarized industry. Subsectors that alienate parts of the community through stigmatizing language or seemingly foreign concepts have stagnated change. Sustainable advocates are out at one end, and high-tech engineers at the other end. In the middle are the companies that were established without leaning towards one or the other of these poles, but should consider both as they move forward. Although there is a disparity between the discussion of Fashion and Tech and the discussion of Sustainable Fashion, two separate communities, two separate vocabularies, two separate futures, from where I stand, the two are actually very much in line.

Both fashion tech and responsible fashion are complete with early adopters, skeptics, and campaigns for change. In both cases, the supply is out of sync with the demand. Eco fashion carries a stigma that alienates a large portion of the audience, and fashion houses hesitate to implement what can be high investment change in that direction. High-tech fashion in the product category hasn’t proved useful to the general public, and the fashion industry has adopted tech into their brand experience largely as novelty rather than internalizing it.

The concepts being discussed across all factions of the industry are in sync, it is the distinctive vocabularies that maintain the divide between them. Once we are able to change the narrative from subjective beliefs to measurable behavior, it will become clear that we all want the same thing: a thriving industry that can access new channels for growth, and then sustain itself. Responsible choices and technology can help on both counts.

Some brands have chosen to experiment with one or the other, but might find they are doing both:

It seems to me that there are many ways in which the two are mutually supportive and can build an audience based on combining their values. Fashion of the future is fashion with a conscience. Technology can answer so many questions in the ethics of the manufacturing and distribution, and both ethically conscious transformations and technological disruption offer opportunity for great change through which values can be rewritten and rebuilt upon.

Technology can help through commerce platforms – Bonobos, for example, can sell lower price and better quality and create amazing customer experience by eliminating the middleman between wholesaler and consumer– mechanical innovation – Recycling, for example, is becoming more advanced in the textile industry – and transparency – the Sustainable Apparel Coalition is proposing a QR bar code system that will detail the provenance of garments.

As a larger community, we are already in line with both of these two movements:

Without thinking about it, we all use technology everyday in ways that are unintimidating, and enhance our experiences. Fashion brands are being outpaced by companies coming from the tech world, which are disrupting the industry particularly through distribution channels and eventually in wearable tech. Consumers are growing accustomed to keeping up with these innovations, which are all conceived in answer to perceived consumer demand. Fashion design houses are finding they are limited in growth, unable to achieve the big brand scale of Ralph Lauren/Louis Vuitton. Fashion brands should be aware that technology offers new possibilities for business growth and scalability not limited to product but inclusive of service and experience.

Escaping the stigma of ethical fashion is also a question of changing the narrative. The mentality that the ethical fashion movement is trying to espouse is actually how just about half of the population shops without considering it responsible shopping: Men. If we use different narratives to bring understanding of what is means to shop responsibly, you might be surprised to realize you do this already. In this recent sustainable fashion discussion, we discussed that men already approach fashion as an investment, spending more and buying less. It might because they don’t like shopping and want to go as little as possible, but that in itself is a win against waste.

There are also many women who, like myself, begin adopting standard looks that require less inventory and more focus. Before I was aware of the dimensionality of sustainable fashion, I never considered myself an advocate. My choices were made based on my own desire to pare down, and settling into my own sense style. It’s a level of maturity that could be encouraged in shoppers that is completely outside of the lexicon of the sustainable fashion movement, but in which we find many of the same values.

As Coco Chanel states: “Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion is “of the moment,” and just as cultural shifts happen over time, adaptation in the most complete sense, that is from both supplier and consumer, won’t happen right away, but these movements are fashion nonetheless. Eventually conscious consumption will be a no-brainer, and fashion companies will adapt to agility in technology or be replaced. Everyone will do it, it will be the norm, and we won’t need to classify it with imperfect words. 

The best way to demonstrate that a movement is happening is to show individuals that they have already adopted the movement without realizing it, without overthinking it, and without identifying with a group because of that choice. This is happening right now in fashion technology and sustainable fashion. No one needs to be singled out for their choices, because both poles are joining together to create one common definition of fashion. That is the fashion of the future.

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Species : Homo Effingo Modus

I took liberties with the naming of this species, but in all forms, the word fashion comes from the meaning "to make"  

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These are two fashion cartoons on the Fashion crowd as a species all their own. Rough drafts, as all incomplete projects are.

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This was a concept just tapped into but recently revisited. I'm excited that a full series is to come out at fashion week September 2014.

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On Starting Somewhere : E-book excerpt

On Starting Somewhere addresses the beginning phases of an entrepreneurial life, before success. As designers and entrepreneurs our lives are made up of questions and experiments, successes and failures. But what drives us to first choose that path, and then to continue down it despite the hardship? There are endless accounts of what it takes to be a successful entrepreneur, but what about those years during which we know only failures, it can feel like we're doing everything wrong while we perceive others to have all the answers? On Starting Somewhere is an account of this phase of my own career, what I have learned and why I keep going. Release date May 19, 2014 on amazon

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It sometimes feels indulgent to step away from work, but in the end we have to turn ‘off’ sometimes. We have to revitalize. There is a misconception across many industries, and pervasive in the startup world, that the more you work the more dedicated you are. The less you sleep the more passionate you are. Like I’ve said, I am not fully functional without my sleep, so if I am really thinking of what is best for my business and for myself I will force myself under the covers. It also seems to me that if we are really working all the time, we might just be terribly disorganized. There are most definitely exceptions to this rule, and I have known deadlines to keep me working around the clock. But I would never make a habit of it, and I definitely don’t consider it a badge of honor.   

In between all of this work, there are the moments when we have to be out in the world exposed to inspiration. Without taking in information from the outside world, our internal monologue becomes self-centric and unrelatable to others. Business ideas that don’t connect with the public are not worth a whole lot. Similarly, most artists feel satisfaction only once they’ve made a connection with others through their work. Before establishing this connection, it is a lonely place. A business without customers is lonely, as is a leader without followers. The more that we understand of the world around us the more convincing our argument can be to get people behind our cause.

I especially love cross-disciplinary discussions because the world has a way of leading many of us to the same conclusion at the same moment in time which we than express through a wide variety of media. The thoughts in this book, for example, relate to thoughts that have been trickling out into the world recently in conversations, various arts and writing, which I think has propelled the urgency of these words. It is a conversation that is happening right now, and the transparency of my rhetoric is only to point out the fact that we have developed this engrained sense of immediacy in our commentary. If we join the conversation, we can find connection, and that is the ultimate satisfaction for the designer, the artist, and the entrepreneur alike.

Many creative thinkers find this kind of connection difficult without using their work as a conversational tool or vessel. Relating to the humanness in us and around us, we find people who relate to the work we produce. Until first experiencing this recognition, it can feel like a very vulnerable act to produce creative work. But in the end, once we take that risk we satisfy a visceral need for expression that when suppressed can cause all kinds of unhappiness. Once released, offers a strong sense of empowerment.

While that soliloquy might resonate more with the pure artists, starting a business has much the same effect. It begins when we identify something within ourselves that leads us to seek something more, usually not in the material world, but in the immaterial. It is scary to think of taking that leap, but if we deny it we end up feeling a sense of loss for something we never had. 

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